更新时间:2025-01-11
造物的奇迹剧情介绍
造物的奇迹是一部由知名导演Hanns,Walter,Kornblum精心执导的科幻,纪录片作品。该片汇聚了Margarete,Schön,Theodor,Loos,Paul,Bildt,等实力派演员的精彩演绎,于1925年正式上映,一经推出便备受观众喜爱。
这部科幻,纪录片以其独特的叙事风格和精湛的制作水准,为观众呈现了一个扣人心弦的故事。无论是剧情发展还是人物塑造,都展现了导演和演员们的专业水准,是一部值得反复品味的优秀作品。
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我们精心收录了包括科幻,纪录片《造物的奇迹》在内的各类精彩内容,涵盖热门电视剧、经典电影、热门综艺等多元化影视作品。无论您喜欢什么类型的影视内容,都能在这里找到心仪的作品。
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Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.